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Week 26 - 30 Years and 30,000 Hours

I haven’t been in the International Cinematographers Guild very long compared to others.  But looking back it seems that as soon as I joined the union I heard about the 30 years 60 thousand hour benchmark.

The term means that you have to work 60,000 hours and have a least 30 years to be able to retire with full IASTE pension.  You also have to be past 60 years old but that is another tangent that I did not go down in this video! 

Now, 60,000 hours seems like a lot of hours but if you do the math over 30 years that is only about 40 hours a week, not bad aye? But then when you realize we work 70+ hours a week and you still have to hit the 30-year mark to qualify for full pension.  It’s then when you realize what a grand trek you have in front of you.  

When I first heard of 30 years and 60,000 hours to retire I began to think about the 10,000-hour rule that Malcolm Gladwell popularized and how I could become a master in 6 different areas of my life in the same time it took to qualify for a full union pension.  Why would I want to work 60,000 hours? How much am I giving up by being at work 70+ hours a week?

Hollywood is a world that many people dream about working in.  That was me when I was 19 years old stocking shelves back at Trader Joe’s.  But I got extremely lucky and I got a foot in the door at a very early age.  This allowed me to get an early glimpse of what my life would be if I continue down this path. All the places I could go or not go because I was too busy working. 

I still consider myself so young with so far to go, but I feel privileged to feel “awake” in my life.  There are no white clouds in my eyes, there is no more fantasy, and yet in the same breath, I am beyond grateful to be here.  In my life, I know that I want to spend a majority of it with a camera in my hands, but I also know I have no plans to work in Hollywood for 60,000 hours.  

Because of my plan to never hit a pension, this means I am going to have to restrict myself financially and invest in other options so that I don’t need to qualify for a pension.  Both of the above I have been doing for the past 4 years since I first joined the International Cinematographers Guild.  I haven’t spoken publicly much about how I use my money in the past because I have never felt like I had done enough to speak.  But now I feel that I have done enough that I am ready to share.  

I’m a fan of speaking after doing as opposed to speaking about what I hope to get done. The latter is much too intimidating for me!

Over 4 years ago, I made a video called “I Make $CENSORED a Year”.  I’ve come a long way from that point of being that broke kid who needs a haircut but I never want to forget that that was indeed once me.

This will be the last video from the 2018 archive. Next week will be a little more recent!

Thanks for your time.

I Make $CENSORED a Year

https://www.youtube.com/watch?v=5RHLgMjcFV0

Some of my favorite shots for this project:

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TED Talk: A Tale of Two Americans

When I dropped out of college I like to say that is when my real education began.  I began to pick and choose what I wanted to learn and I have noticed it has had a great impact on my knowledge base.  I no longer have to learn and splurge for a test or assignment that I know I will not remember the second I walk out of a classroom.  

One of the ways I continue to educate myself is by watching TED talks.  I think they are a great resource and even with their popularity, I still think they are slept on.  I new section of my blog will include my TED talk recommendations.  These are a collection of TED talks that caused me to pause and think.

For the first TED talk I picked A Tale of Two Americans by Anand Giridharadas.  In this TED talk Anand talks about America post 9/11 and second chances in America.  This one struck a cord. 

(Also I kept thinking this guy has the same jaw as Kayne West.  Am I wrong?)

Video: Getting Lost in Mexico

I'm in San Miguel de Allende, Mexico for work. We had a day off, so a couple of us went out and rented ATVs to explore the town.  We got into a little trouble.

Thanks to:
Music Supervisor: Ziggy Gonzalez